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My overglaze paintings are mainly influenced by the diversity of the natural world, landscape, flora and fauna are my inspiration. I like to explore these in a traditional manner using classical overglaze painting techniques, as well as in a less traditional way, usually focusing on the textural properties of the subject. At present texture is an important influence on my work.
Overglaze painting is an ancient art form, invented by the Chinese during the Ming Dynasty. Finely ground minerals (metal oxides) are mixed with a medium and then applied to a glazed ceramic body. The piece is fired to around 800 centigrade; during the firing process the colour might change slightly and as the glaze softens the colours bind and become permanent. The painting is built up gradually, and usually fired at least three times. This is a very time consuming and painstaking process and most of my overglaze work will take more than a week to complete. I also use many additional techniques such as fused glass, enamel, gold and lustre to name but a few. I also enjoy the challenge of watercolour painting, more recently I have started to explore the possibilities of kiln formed glass, particularly dichroic glass jewellery, which always excites me when I open the kiln door. Each day I continue to enjoy the challenges and excitement that each media brings. |
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